The great seer Narada symbolysis the real devotion
towards the Lord, always singing the glory and virtues of the Lord Narayana.We
have to name the twin brothers Lava and Kusha who sang the original
Shri.Ramayana in the sacrificial hall (Yagyashala) of prabhu
Ramachandra.This art of chanting/singing the name and glory of the Lord
is ancient and traces its origin in Padma Purana.The Bhagavat Dharma or
singing the glory of the Lord inspired the devotion among others in the
society and poetry was evolved into prose explaining its meaning. It
further shaped into an educational Institution and was encouraged. It was
under the personal care of the Kings /Rulers during those period. This
art was used by the Chanikya to expand the kingdom of Mourya Chandragupta
with the help of Keertankars(Persons singing the glory of the Lord).In
the process this cult was diluted and Keertanakars started praising the
rulers of those days and became the Bards instead of Keertankars.This art
temporarily lost its real status.In the 9th century this cult was
brought to its original status by
Shri.AchalananadaDas in Karnataka.In south in Tamil nadu Alwars
propagated Bhagavat Dharma.In northern India this cult could not be
propogated to expand due to frequent Mohammedan invasions and destruction
of the literatures.However Shri.Krishna Chaitanya in Bengal and
Shri.Tulasidas in northern India again revived and established the
Bhagavat Dharma. In Maharastra this cult was revived by Sant
Jyanadev,Ekanatha and Tukarama.
In Karnataka right from the 9th century onwards this cult is propagated
religiously and systematically by Haridasas.Haridasas of Karnataka the
devotees of the Lord have contributed immense treasure of
Bhaktiyoga.Haridasas have blessed the whole society to understand the
kernel,innermeaning and essence of Indian philosophy contained in the
holy scriptures viz.Vedas,Upanishads,Puranas etc. The compositions though
appear to be in the usage of the common man ,contains very deep meaning
of all Holy Scriptures, which could not have brought to the light or
understood by the masses who are ignorant in
understanding Sanskrit the divine language.